Exhibition Opening: October 4th 2022, 7 pm
Opening Hours: October 5th – 14th, 3–6pm;

“How do you move the Audience?” is a mind-blowing installation that will answer the most crucial question in our contemporary cold world 2: How do you move the Audience? 

Anna Vasof is an architect, media and time based artist. She studied architecture at the University of Thessaly (2010) in Greece and Transmedia Art (2014) at the University of Applied Arts in Vienna. Since 2004 her videos and short movies have been presented in several festivals, some of them winning distinctions. At 2020 she finished her Ph.D. thesis about a cinematographic technique that she developed with the title Non Stop Stop Motion. She is now working on designing and building innovative mechanisms for producing critical videos, films, actions and installations.


Exhibition Opening: September 6th 2022, 7 pm
Opening Hours: September 7th – 13th, 2 – 6pm;

„I keep pressing record, but the battery symbol is flashing and the blinking red light goes out. While I record, the acoustic is transformed to electric energy and …out of battery.“  

An installation that generates sound and plays with points in time, time spans and duration. It uses electricity as a performer and understands the physicality of infrastructure as a colorful material. Exploring the sites and displacement of energy, electrical or mechanical. Making it visible and audible. Colorful segments of cables, children´s toys and discarded plugs.

The immaterial illusion of modernity leaves us with many overlooked places, materials and noises. To perceive these hidden backgrounds of human lives, one must be aware of the planetary network and infrastructure that feeds them. The buzz of server landscapes, the hum of air conditioners as well as the piercing sounds of scrap presses dealing with the afterlife of our technological objects.

Anna Lerchbaumer is a sound and video artist, she reflects in her works on the relationships between technology, humans and nature. The sculptural aspect plays an important role in her work. She works with found objects and seemingly discarded technologies that are brought to life in the process of making. Anna Lerchbaumer combines obsolescence, raw material things spatially as well as acoustically to create humorous and critical connections.

Solo exhibitions, exhibition participations and performances have been shown at Krinzinger Projects, Zentrale and Mz Baltazare, as well as abroad in China, India and Japan. The artistic, philosophical long-term project together with Kilian Jörg Toxic Temple has been published in book form in 2022 by Edition Angewandte / de Gruyter.


Symposium: September 8th 5 pm at Soundcampus, Hauptplatz 6, courtyard

The Oscillations network will be holding a symposium at this year’s Sound Campus as part of the Ars Electronica Festival 2022. The symposium will explore the tension between acoustic and visual art forms from a makers perspective and give insight into art practices and organisation practices. At Sound Campus, each participating organisation will introduce how they venture into sound art operations and how they complement and inspire each other.

Oscillations is an international exchange program exploring the tension between acoustic and visual art forms from a makers perspective. The program aims to facilitate the circulation of artists working with sound across national and disciplinary boundaries as well as to foster knowledge exchange between artist-run spaces.

Oscillations is a two-year exchange program taking place in 2020-2022 linking four artist-run organisations: Overtoon (BE), bb15 (AT), iii (NL), Lydgalleriet (NO). Oscillations is Co-funded by the Creative Europe Program of the European Union.

Sound Campus 2022