- OSCILLOSCOPE MUSIC
- 09.05.2025
The Wavering Worlds series goes on an excursion. Since bb15 moved to its current location, there has been a desire to organise an event in the New Cathedral opposite. Due to the special architecture and acoustics of this building, it can provide an impressive setting for the staging of experimental music and that is exactly what we intend to do. Over four evenings in 2025, a selected group of artists will explore the specifics of the space and develop site-specific settings for their sound performances.
Meeting place is the north entrance of the New Cathedral (Mariendom) next to the tower.
Doors open at 6:45pm
Concert starts at 7pm sharp!
No entry after the start of the concert
May 9th
OSCILLOSCOPE MUSIC
Oscilloscope Music is the audiovisual project by Jerobeam Fenderson and Hansi3D where images are drawn with sound. The glowing green line drawings took the internet by storm in 2016 when their first self-titled album came out, and they released their second album N-Spheres in late 2024 on floppy disk.
In their live shows they have upgraded from analog oscilloscopes to high-speed multi-wavelength lasers, sending the audience on an omnisensoric interdimensional geometric space experience.
Oscilloscope Music consists of Jerobeam Fenderson and Hansi3D.
Jerobeam Fenderson is an audiovisual artist and electronic tinkerer based in Vienna, Austria, who likes drones, lasers, computers and cats.
Hansi3D grew up in Austria, he still lives there. He really likes math, music and programming so making oscilloscope music has become the perfect rabbit hole for him.
Further dates:
May 16th
SAINKHO NAMTCHYLAK / ANDREAS TROBOLLOWITSCH
Trobollowitsch and Namtchylak create a sonic landscape where the primal and the contemporary converge. Namtchylak is known for her mesmerizing voice and her use of traditional Tuvan throat singing in diverse musical contexts, ranging from jazz to contemporary and electronic music. Together, Trobollowitsch and Namtchylak form a duo where the mechanical and the human merge in unexpected and often hypnotic ways.
Their collaboration reflects the intersection of different cultures and sounds, offering a fresh perspective on the blending of diverse influences.
Sainkho Namtchylak is a Tuvan-born singer, composer, artist, and teacher known for her extraordinary vocal range and emotional depth. Drawing from the cultural traditions of her homeland, she creates powerful links between the archaic and the avant-garde. Based between Europe and Asia, she has released over 60 albums, authored two books, and has been a prominent voice on international stages since 1987, performing at major festivals for jazz, world, and experimental music. Alongside her musical work, she also presents her visual art in exhibitions and art fairs across Asia.
Andreas Trobollowitsch is an Austrian composer and sound artist whose work explores the intersection of concept, material, and movement. Using prepared instruments, modified objects, and kinetic systems (like melting ice or rotating motors), his pieces emphasize timbre, space, and the physicality of sound.
https://trobollowitsch.hotglue.me/
mʊdʌki
For Wavering Worlds 101020 mʊdʌki unfolds an immersive live set based on the almost floating sounds of the medieval hammered dulciner. The gentle tones become increasingly intertwined with experimental digital soundscapes – a dense composition between electro-acoustic experimentation and pulsating technological sound aesthetics. The result is an interplay that is both contemplative and futuristic.
Polina Khatsenka aka mʊdʌki is a czech-based sound artist, dj, event organiser and music producer from Minsk, Belarus. She has devoted her work to sound exploration since 2015. Her music production is arising from subconsciousness with an accent to authentic sound sources, author‘s recordings with usage of basic/primitive hardware, including diy synths, all based on digital setup. Each type of performances of hers are amplified by improvisational methods with space for randomness left in order to make each show bear peculiar energy and provide the listener an intensive feeling of living the moment.
https://www.works.io/polina-khatsenka
October 10th
MAN REI
STEFAN TIEFENGRABER
October 17th
TBA
- Sounds like a Book and Kunstuniversität Linz
- 09.04.2025
On April 9th, bb15 will host a performative presentation by ‚Sounds like a Book‘ – a self-publishing and sound art platform, in collaboration with the Time-Based Media department of Kunstuniversität Linz.
Following a day-long workshop, the evening event, which is open to the public, will offer a glimpse into the residency’s playful and experimental structure and approach, re-imagining and expanding the meaning of the books and sounds in performative ways.
The event will feature artist books and sound pieces by the following artists: Georgiana Cojocaru, Janine Jop, Laure Catugier, Lena Ciobanu, Lisa Marie Schmitt, Lucian Barbu, Irina Motroc, and Ruxandra Nițescu. Additionally, students from the Time-Based Media department will present their interventions and engagements with the books and sounds of the latest edition of the residency entitled ‚Sounds like a Book: (S)pace‘.
Performative presentation: 09.04.2025, 7 pm @bb15
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Sounds like a Book is a book-making and self-publishing platform that addresses those interested in the book as a medium of artistic expression. As the chosen name suggests, SLB focuses on the visual transmission, conversion, and representation of the sound.
Since 2019, Sounds Like a Book has taken the form of a residency program, hosted at Casa Albastră in Șona, Romania. The latest edition, Sounds Like a Book: (S)pace, focused on various bodily perspectives and rhythms to explore the network of body-space-sound as it unfolds in the process of listening.
- Bernd Oppl
- 11.03.2025 - 28.03.2025
Exhibition Opening
March 11th, 2025, 7 pm
Sound Performance
AGB
March 21st, 7 pm
As part of the exhibition eye work, a joint sound performance by Andreas Kurz, Gabriela Gordillo, and Bernd Oppl will take place on March 21 at 7 PM. Performing together under the name AGB, they create evolving soundscapes and narratives. Entropy, rhythmic structures and oscillating frequencies set the basis of improvisation.
Opening Hours
March 12th – 28th,
Wednesday – Friday, 3 – 6 pm
Bernd Oppl’s works – whether in the form of models, photographs, sound installations, or moving image works as projections and on displays – fundamentally deal with the uncertainty of perception in a world where the visible and audible are always material (magnetic tape, concrete, glass, the White Cube, etc.) and virtual at the same time, thus situating the world mostly in an uncanny intermediate space: present and absent, tangible and ephemeral, external and internalised, both all-encompassing and radically confined.
(Alejandro Bachmann)
Bernd Oppl studied painting and graphic arts at the Art University Linz and video and video installation at the Academy of Fine Arts Vienna. He has presented his works in solo exhibitions at the Kunsthaus Dornbirn (AUT), Georgia Museum of Art (USA), the Tyrolian State Museum Ferdinandeum Innsbruck (AUT), Wiels – Contemporary Center of Art Brussels (BLG), Kuiper Projects in Brisbane (AUS), Kunstraum Dornbirn (AUT), Lentos Art Museum in Linz (AUT), Galerie Krinzinger in Vienna (AUT), and others. Oppl received the Award for Contemporary Art of the Province of Tyrol 2008, the RLB Art-Price 2012, the Art Award of the City of Innsbruck 2015, the Residency Scholarship for WIELS in 2018
(Brussels), the Austrian State Scholarship for fine arts 2019, the Residency Scholarship 2022 for BANFF center (Canada). the Award for best experimental film work of the Film Festival Best Austrian Animation 2022. He recived the Hilde Goldscmied Preis 2024 and the Residency Scholarship for the International Studio & Curatorial Program (ISCP) in New York in 2026
- Anastasia Kraus, Elisabeth Perez, Lorenzo Iannantuoni, Margarita Gimaeva, Nikita Narder, Tanya Shtykalo & Tomiris Dmitrievskikh with Giulia Mazzorin and Andrea Curtoni (BUrb) Raum und Design Strategien Unit Venice
- 21.01.2025 - 29.01.2025